![]() And both Shaikh and Malhotra carry it forward,especially when they spend a lot of the second half on the mat,learning how to lose, and, above all, to win. The actors who play the young Geeta and Babita(Zaira Wasim, Suhani Bhatnagar) do a competent job of maintaining theaudiences attention. Pritam's background music deservesdistinction marks. Bosco- Caesar'schoreography is very real. The songwriter may pick up some awards for his lyrics. The 'Gilehariyaan' song has terrific charm of adifferent kind. 'Dhaakad' and 'Haanikarak' are alsovery well-tuned. 'Dangal dangal' is a very inspiringsong and will soon become a rage. Pritam's music is in terrificsync with the mood of the drama. ![]() Nitesh Tiwari's direction is amazingly terrific.AmitabhBhattacharya's lyrics are great. But not evenonce does the film loses its focus.A word here about Mukesh Chhabra's casting: he has done a tremendousjob of the casting. Mahavir's transformationfrom the once upset father of a baby girl to the most triumphant one toGeeta's string of losses before she finally wins a gold during CommonWealth Games to desi akhara being replaced by wrestling mat – everymoment works in contrast to what you had watched earlier. ![]() The first half of Dangalworks exactly like a skilled wrestler – invariably sure of its moves.The film's second half is all about victory. The opening scene of the film is just a glimpse ofPhogat's passion for the sport – wrestling. He is sooutstanding in his performance that this could be considered as one ofhis best works ever. Aamir Khan shines in the role of Mahavir Singh Phogat.
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